“That’s funny,” he says, then reads a young woman’s comment: “‘Hi, first time TIDAL user so I don’t know, but whenever I try to listen to any of your songs, dude, on Where’s the Drop?, all I hear is this orchestral music.'” Hours after the album’s unveiling on Tidal, Zimmerman examines the reactions on his phone. Some EDM fans are still a little confused. ![]() “Greg puts the weird marks on the paper,” jokes Zimmerman, who sees Where’s the Drop? as an additional musical path, not a replacement for the euphoric electronic music he creates on stages around the world, mixing and colliding sounds while wearing a giant mouse head with flashing lights and smiling metal grille. ![]() ![]() Sitting next to Zimmerman is his partner on this project, South African composer Gregory Reveret, who was recruited to re-imagine Deadmau5’s best-known tracks in the acoustic language of symphonic instruments.
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